magical, native, and natural "other"

Native Americans are still the magical other, yet most people understand that blackface is fucked up and offensive. It's strange how understanding is only extended to certain people(s). I guess it is about access to power and voice. Native Americans aren't given much time or attention. This type of stuff makes me sad. More of this set of photos, by Three Nails Photography, here. Also, I posted some related images of ill-advised school art projects a while ago, here.

I feel like I need to balance out this post a bit.

Edgar Heap of Birds - Beyond the Chief (sign, installed in Urbana, IL) March, 2009

Jimmie Durham - Pocahontas' Underwear (mixed media) 1985

Brian Jungen - Beer Cooler (cooler, beer cans) 2002

o_0

"the apocalypse is coming, and SOON"

motivate

-Steve Roggenbuck

I'm better, every day

fb and a few words from yesterday

installed Symbiosis, and exhibition of work by Toni Ross in the Whitaker Gallery yesterday at Hood College. my first install there, i'm happy with it (some photos later)

 from the Hood College Art and Archeology Department fb group

__________________________

LEGACY
Bequest
cut his teeth
(monster walks)
#walkingdead

new "Abracadabra"

Abracadabra

glacial float copper
glacial float coppe
glacial float copp
glacial float cop
glacial float co
glacial float c
glacial float_
glacial float
glacial floa
glacial flo
glacial fl
glacial f
glacial_
glacial
glacia
glaci
glac
gla
gl
g

hydrogen peroxide
hydrogen peroxid
hydrogen peroxi
hydrogen perox
hydrogen pero
hydrogen per
hydrogen pe
hydrogen p
hydrogen_
hydrogen
hydroge
hydrog
hydro
hydr
hyd
hy
h

kpeng.pdf
kpeng.pd
kpeng.p
kpeng.
kpeng
kpen
kpe
kp
k

silt
sil
si
s

500 Letters

My statement, via 500 Letters

Adam Farcus

Adam Farcus (°1983, Morris, United States) makes sculptures and conceptual artworks. By taking daily life as subject matter while commenting on the everyday aesthetic of middle class values, Farcus presents everyday objects as well as references to texts, painting and architecture. Pompous writings and Utopian constructivist designs are juxtaposed with trivial objects. Categories are subtly reversed.
His sculptures appear as dreamlike images in which fiction and reality meet, well-known tropes merge, meanings shift, past and present fuse. Time and memory always play a key role. With the use of appropriated materials which are borrowed from a day-to-day context, he often creates work using creative game tactics, but these are never permissive. Play is a serious matter: during the game, different rules apply than in everyday life and even everyday objects undergo transubstantiation.
His works are characterised by the use of everyday objects in an atmosphere of middleclass mentality in which recognition plays an important role. By applying a poetic and often metaphorical language, he wants to amplify the astonishment of the spectator by creating compositions or settings that generate tranquil poetic images that leave traces and balances on the edge of recognition and alienation.
He creates situations in which everyday objects are altered or detached from their natural function. By applying specific combinations and certain manipulations, different functions and/or contexts are created. Adam Farcus currently lives and works in Baltimore.

Sandy talisman

In Far Rockaway, Terrence Nottingham, 32, spoke of the Boardwalk as a kind of talisman. 

“If I’m ever going through something or feeling a certain way, I can come to the Boardwalk and it’s very serene,” he said. “I just look out at the water and I can just clear my head and think about how to help myself.” 

“I just hope that they hurry up and build another one, like this one but make it stronger,” he added. 

 -Where Boardwalks Beckoned, a Way of Life Lies in Splinters. New York Times. Nov. 8, 2012.

all of these, and more can be found and purchased at http://www.driftrelief.org/.

meanwhile, in my studio, i've been playing with 2 sticks that were left behind from Hurricane Ike and a jar of red clay-soot that was washed up when my backyard and basement flooded from Superstorm Sandy.

witches brew

#walkingdead
#kyoto
#nofearenergy
#yolo

Ingredients you need

• 0.5 oz. Cranberry juice
• 0.5 oz. Sour Mix
• 1 oz. Vodka
• 1 Chambord

How to make a Witches Brew:
Fill glass with ice.
Add vodka and chambord.
Add a splash of cranberry andsour mix.
Stir and enjoy my Halloween treat.  
Type of drink Cocktail Recommended glass Highball Glass.

☣☣☣☣☣☣☣☣☣☣☣☣☣☣☣☣
☢☢☢☢☢☢☢☢☢☢☢☢☢☢☢☢
☠☠☠☠☠☠☠☠☠☠☠☠☠☠☠☠
ϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟϟ

 

thrift store book finds yesterday

three images from three books i found yesterday. Home Security, Life-Time Books, 1979; The North Woods, The American Wilderness/Life-Time Books, 1973; & The North Woods, The American Wilderness/Life-Time Books, 1972.

Left: 1973  Right: 1972

how to make your own strong room

Slow Onset Events

Here is a brief statement about my upcoming exhibition:

Slow Onset Events
Adam Farcus
Office Hours



Slow Onset Events is an umbrella term for slow-acting climate change effects such as "sea level rise, increasing temperatures, ocean acidification, glacial retread and related impacts, salinization, land and forest degradation, loss of biodiversity and desertification."1 Through poetic sleight of hand, the work in this exhibition exemplifies the fear surrounding climate change while also offering a psychological-cum-superstitious solution for said fear.

Hot Damn, Hot Damn

The Australian Bureau of Meteorology had to update their charts to reflect the extreme hot temperatures there now. If you're in the USA, 54ºC = 129.2ºF.

Also, that shit's on fire and you can see it from space.

people, clothes, and Kelly

it makes me really happy that this happens!

 

Morgane Tschiember - "3 Mouvements" in front of Ellsworth Kelly's piece, MoMA, New York, 2008

Morgane Tschiember - "3 Mouvements" in front of Ellsworth Kelly's piece, MoMA, New York, 2008

Convergence (Belladonna's Bitch Fist, Revolution Brewing Co, Chicago [at Eleven], & John Carlos)